I’m not a huge fan of historical fiction, but with a cover like this…how could I resist Cleopatra’s Moon, by Vicky Alvear Shecter? Yes, I do judge books by their covers all the time, shallow though that may be. I figure if the publishers love the book enough to give it a great cover, there’s a good chance that it’s a worthy book.
I have never seen a cover that is more beautiful than this cover. The picture doesn’t do it justice because it doesn’t capture the soft black of the background, the rich gold of the borders, or the warm bronze of her skin. This is book you’ll want in hardback. It’s a work of art.
That said, oddly, I never pictured Cleopatra Selene, the star of the book, as looking like the girl on the cover. I pictured her looking like the bust of Cleopatra I’d seen in pictures. The girl on the cover is more beautiful than the author painted the girl inside to be, I think. So…I find it a little sad that the daughter, two-thousand years later, can’t get out from under the idea we all have of Cleopatra’s beauty.
Cleopatra Selene and her Mother
But enough about the cover. The book is about Cleopatra Selene, the only one of Cleopatra’s children to live to adulthood.
We see the political and religious life of Egypt through the eyes of the young Selene, but mostly what we get early in the book is the idea that Cleopatra Selene worships her mother (and Mark Antony, her father). From Selene’s narration a picture emerges of the most powerful woman in the world. She sees her mother as perfect and I think the author, who is making all this up (Selene’s feelings toward her mother) has hit on a likely scenario. If you were the daughter of Cleopatra, Pharaoh and Queen, and you saw that she had the power of life and death in her hand, and you saw people worshiped her, wouldn’t you also believe that your mother was wise and brave and good and worthy? A goddess even? Why would Selene doubt any of this?
Keep Reading
Now, I have a confession. I’m really not a patient reader. My attention span has been affected by the Internet, I’m afraid, and I like page-turning dystopian stories better than richly-written character studies. I’m not proud of that, and I only admit it here in case you’re like me and the early pages of the book move a little too slowly for your tastes. Don’t give up. You’ll miss out on a rich book, with a memorable heroine, and a twisty plot if you quit early. In the beginning Selene isn’t a heroic figure. She’s a little girl with no power who is mostly just an observer. But stick with this book. The pace picks up heaps as soon as she gets to Rome. There, at Caesar’s home, Selene has to protect herself and her brothers while she plots to win back her mother’s throne.
The Author’s Integrity and Skill
There was much to love about this book set just a few decades before the birth of Christ. I enjoyed seeing and hearing and smelling the world as it was back then. Shecter spattered details liberally—delicate and pungent scents, gold and stone and sand and sun, and marble floors buffed to a high gloss and covered in blood.
I also really appreciated the integrity with which the author presents the ancient world, without remarking on the rightness or wrongness of any of it. She downplays the incestuous unions in the Ptolemy family tree, I think, and the political executions, giving Selene uncomfortable feelings about it all when the Roman children taunt her, without coming out and admitting or condemning it. Shecter deals with extramarital sex in the same way, allowing Selene to react to it without authorial comment. In the case of the extramarital sex, Selene feels no discomfort over the thought of her brother having sex with a boy or a girl. I’ve heard that these behaviors were common then, so it seems likely that Selene would not find them odd or disturbing.
I particularly loved that Shecter let the young Cleopatra Selene have her spiritual visions, some drug-induced and some not, and she didn’t write the goddess worship off as superstitious. I believe the Egyptian gods are real spiritual beings. I would call them demons, not gods, but Selene, of course would call them gods.
Feminism
Anyone who knows me at all knows that I often say that I’m one of the biggest anti-feminists around. I don’t just say that to get a rise out of people. I truly believe feminism, as it has played out in the USA in the twentieth century has been a great evil. So, being sensitive to feminism as I am, I didn’t miss the author presenting in the book, several complaints against the poor treatment of women. These complaints came through Selene and were in character and not intrusive.
Considering the evils of Cleopatra Selene’s world, where slaves and children (and even wives, I think) could be beaten to death without reprisal, wanting autonomy in marriage in that day hardly compares to twenty-first century pampered rich girls with entitlement mentalities, demanding autonomy and rebelling against lawful and good authority. Considering life in the ancient world, gives teeth to St. Peter’s instruction to wives to obey without fear. Wow! But he also commanded husbands to love their wives, so I was in favor of the slight feministic bent to the book. When the world is broken it is not wrong to say it needs fixing.
In conclusion
So I closed the book with a huge sigh of satisfaction. I considered recently what I want from a novel, and I found that what I want is character growth. I want a character to be better off morally at the end of the book then she was at the beginning. I loved Cleopatra Selene. She’s one of those wonderful larger-than-life characters that grabs you because of her voice and courage and her will to survive. I felt great pity when she lost people she loved, and I admired her strength and her resolve to fight and risk her life to do what she believed was right, but mostly I loved that she survived and even went further and grew, so that it could be argued in the end that she was wiser and more powerful than her mother. A very satisfying conclusion to the story of a brave young woman living in tragic circumstances.



Today I am happy to give you


